Add to ORKG3:30-4:20: “Listening to Music: A Philosophical Account” By Paskalina Bourbon (Pomona College) Comments by Sammy Jones Chair: Colleen Hanso
How can someone have the right perception of sound and its nature? We hear sounds everywhere: we hea...
publication-status: Acceptedtypes: ArticleI respond to Kersten’s criticism in his article “Music and...
Background Music is a temporal and sounding art. It is characterised most typically by its articulat...
What is the distinctive character of musical experiences? An answer: musical experience is distincti...
Relationships between philosophy and science have ranged from Wittgenstein's view that cognitive sci...
In his essay Understanding Music, Roger Scruton has argued for a nonreductionist approach to aesth...
This article explores our natural reservations about the prospect of somebody singing, rather than s...
In this article, the author refers to some of the main fields of research within the Ancient philoso...
Presented at Philosophy Across Disciplines Conference 2021, Newcastle University. ...
This amateur exercise in the philosophy of music—my second, after “Musical Ambiguity and Musical Ana...
This commentary discusses the anthropological implications of Richard Widess’ paper by summarizing s...
The article reviewed in this commentary takes philosophical models of temporal experience as its sta...
Music has not been as prominent in philosophy or as influential in aesthetics as the visual arts, at...
Citation: Stewart, Effie L. Psychology of music. Senior thesis, Kansas State Agricultural College, 1...
Dissertation by Jeanette Bicknell on the scope and nature of the 'levels of understanding' that dete...
How can someone have the right perception of sound and its nature? We hear sounds everywhere: we hea...
publication-status: Acceptedtypes: ArticleI respond to Kersten’s criticism in his article “Music and...
Background Music is a temporal and sounding art. It is characterised most typically by its articulat...
What is the distinctive character of musical experiences? An answer: musical experience is distincti...
Relationships between philosophy and science have ranged from Wittgenstein's view that cognitive sci...
In his essay Understanding Music, Roger Scruton has argued for a nonreductionist approach to aesth...
This article explores our natural reservations about the prospect of somebody singing, rather than s...
In this article, the author refers to some of the main fields of research within the Ancient philoso...
Presented at Philosophy Across Disciplines Conference 2021, Newcastle University. ...
This amateur exercise in the philosophy of music—my second, after “Musical Ambiguity and Musical Ana...
This commentary discusses the anthropological implications of Richard Widess’ paper by summarizing s...
The article reviewed in this commentary takes philosophical models of temporal experience as its sta...
Music has not been as prominent in philosophy or as influential in aesthetics as the visual arts, at...
Citation: Stewart, Effie L. Psychology of music. Senior thesis, Kansas State Agricultural College, 1...
Dissertation by Jeanette Bicknell on the scope and nature of the 'levels of understanding' that dete...
How can someone have the right perception of sound and its nature? We hear sounds everywhere: we hea...
publication-status: Acceptedtypes: ArticleI respond to Kersten’s criticism in his article “Music and...
Background Music is a temporal and sounding art. It is characterised most typically by its articulat...